Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

This is an unusual, beautiful and dark album curated by — and at times performed by — the Danish musician Agnes Obel. It's part of a series of artist-curated albums called Late Night Tales. Nils Frahm, The Flaming Lips, Jon Hopkins and others have put their own records together for the series in the past.

Parquet Courts' fifth album, Wide Awake! is a turning point for the band. The four guys based in New York made conscious attempts to push their music out of their habitual tendencies toward aggressive rock and wound up with their most interesting record to date, with the help of producer Brian Burton (Danger Mouse).

I remember feeling absolutely free. I recall the sensation of joy.

I first saw Glenn Branca at the 9:30 Club in Washington, D.C. in 1982. I came away from that concert wondering how it was that I, having spent so much of my life listening to music, had simply never thought about music simply as noise, perhaps somewhat organized, to varying degrees, but noise nonetheless. Branca, who died this past Sunday, gave me what may have been the loudest noise I'd ever heard that night, give or take a jackhammer or a jet engine, familiar sounds from growing up in Queens, N.Y.

"I think this is one of my vaguest songs," Mitski says in this conversation about her new song, "Geyser." "Usually my songs have a narrative of some sort. But this song is all feeling."

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