Benjamin Naddaff-Hafrey

Wimberley, Texas is about 45 minutes out from Austin by car or truck — far enough to allow a music scene independent of Austin's own to thrive in that hill country. Alexander Buck Meek grew up in that scene, among the jazz manouche, blues and outlaw country guitarists of the region. Even though Buck Meek's work with Big Thief has taken him far away from his Texas home, the lead single from his self-titled debut album sounds as if it echoes out from the state's hill country.

When Gaby Moreno's guitar failed her at the start of her set, she borrowed one from Justin Vernon of Bon Iver, with whom she was sharing the bill. But the guitar would barely matter — the Guatemalan singer's set was, justifiably, defined by the stunning range of her voice, which can move from righteously defiant to cracked and wounded in the span of a single note, from Spanish to English in the span of a set.

Margo Price sings classic country songs that manage to enchant, even as they disillusion. Her steadfast voice and songwriting conjure a powerful sense of nostalgia — she emerged in 2016 with Midwest Farmer's Daughter, an album that didn't so much callback to '70s country as it did flawlessly reanimate it. But if her musical signifiers are comfortably familiar, her lyrics stand in stark opposition to that feeling.

Justin Vernon's career as Bon Iver has perfectly aligned with NPR Music's existence. It was 10 years ago this past summer that For Emma, Forever Ago began to write the project and the myth of its creation into indie-rock legend, making Vernon's own name nearly synonymous with it in the process. The idea of that cabin in the woods and Vernon's wounded, multi-tracked falsetto have since become iconic.

Despite having visited the Tiny Desk three times, and traveling to the tunnels beneath Fort Adams State Park, Jeff Tweedy has brought only a fraction of his many musical permutations to NPR Music during our first 10 years.